Saturday, July 12, 2008

Perspective on design (1)...

I sometimes ask myself, what constitutes good design. Is it the aesthetics of the piece, the pleasing proportions, the balance of form and function... or all these characteristics combined? Taking a step back, the aesthetics and pleasing proportions are definitely at the forefront. I'm usually drawn to a piece of furniture that stands out with respect to the "look" of the piece. This one characteristic causes me to stop and further examine the piece by trying to understand what has drawn me to this particular design over another design on the same page. This analysis helps me in my own design process as I better understand what characteristics of a piece of furniture I am drawn to. Of course, we all have different styles of furniture that we are drawn to, but the common theme is good design. I am convinced that even an admirer of period styles of furniture will stop at a well-designed modern piece of furniture to further analyze it.

We've all heard the saying that everything has already been discovered or invented. I have even heard of this saying applied to furniture design. After all, we're re-shaping the same objects over and over... adding curves, changing proportions, adding ornamentation, removing the ornamentation, using darker or lighter woods, utilizing curves, replacing curves with straight lines, utilizing thicker or thinner components, etc. It is easy to come to this conclusion, however, I regularly see new pieces of furniture that make me sit back and say "wow, that is an interesting design".. or "that is a cool design, I wonder if it's been done before". In light of this, I think the boundaries of design are limitless, one just needs to think outside the box. Also, I feel that often using pre-existing styles as templates for a new design sometimes handicaps the designer , the designer subconsciously has the existing style in mind and cannot get past it. Sometimes it is better to begin with a clean slate, in our case, a pad and pencil and begin to sketch without any existing furniture designs to influence our design. All for now...

Thursday, July 10, 2008

Perspective on design...

This is a previous post, but I never did continue the discourse. I find it fascinating how furniture design has evolved over the centuries. If we go back to the middle ages and the era before, quite a few developments in furniture construction techniques were in progress. Prior to this era, in the centuries before, very little furniture was available, it was considered a luxury to have chairs, tables and cabinets. The larger, more finely made furniture of this era was typically destined for the aristocracy of the time as a display of their wealth and status.

Most conventional furniture of these early periods was assembled without consideration to wood expansion and contraction or wood movement. This worked for many years, since the interior of buildings in this era was often at the same temperature as the exterior. With the advent of heated interiors, wood movement became much more of a factor to deal with in construction and design of furniture, and the practice of simply assembling wood planks together to form furniture needed to evolve. It was in the middle ages that frame and panel construction was adopted. This technique allowed a solid wood panel to literally float within a wood frame composed of rails and stiles. The solid wood panel could expand and contract on a seasonal basis, and not cause any structural failure within the furniture.

All of a sudden many more possibilities were created for furniture design and its widespread appeal began in earnest. Furniture also began to become more affordable as of the 18th and 19th century, more furniture makers existed and sound construction techniques began to become standardized. There are numerous periods over the past centuries and each of these had a style or styles associated with them. Additionally, each country had a style of its own within these periods. One can see how similar furniture design principles were adopted by successive countries over the different periods. Popular furniture styles which are widely recognized have familiar names such as English Chippendale, German Biedermeier, American Federal and Arts & Crafts, French Art Nouveau, Italian Rococo, etc. The evolution continues to more recent styles such as Modern Swedish ( Krenov style) and Contemporary styles.

One interesting tidbit is that a style of furniture is never really defined until the particular period has elapsed, almost like looking through a rear view mirror. Today's styles might be referred to as a particular period of style, but only after the period has lapsed. In the photo, a small swedish modern styled tabletop cabinet . To be continued...