I have a small Krenov-inspired cabinet which I have enjoyed for the most part. The drawers not so much. The cabinet is solid beech but long ago the decision was made to make two stacked drawers with walnut fronts to provide contrast to the beech. I realized at the time that the contrast was not ideal, but for the sake of expediency, went ahead to see if it would grow on me. Well it hasn't. Another idea at the time was to have through-dovetails to attach the drawer fronts to the sides. This provided another level of contrast and introduced yet another wood to the mix. Overall, I wasn't pleased. So recently I decided to give the drawers a makeover and replace the drawer fronts with something more aesthetically pleasing and to provide not so harsh a contrast. Pic below of original drawer fronts.
My first attempt was to use some highly figured veneer I had stored away. It is commercial veneer so very thin. The veneer itself is beautiful, light in color and would make the interior of the beech cabinet pop. First step was to scrape down the surface of the drawer fronts and glued a piece of this veneer to each. Did this successfully and began to create the mortises for the new pulls. However, there is something about commercial veneer that doesn't sit well with me and I was not able to get past this. The thickness of the material is paper (thick paper) thin and brittle, too fragile for my taste.
Since it would be necessary to scrape the surfaces to get a polished aesthetic, this was entirely not possible with this thin, brittle veneer. I typically use shop-sawn resawn veneers in my work. Instead, I created some band-sawn ambrosia maple with beautiful figure between 1/16 and 3/32 in. thick. I decided to go ahead with this shop-sawn veneer instead. Next I band sawed the drawer front to the thickness of this shop-sawn figured ambrosia. Applied the veneer to the drawer fronts and I could not be more pleased with the outcome. Shop-sawn veneers are more workable and forgiving with hand tools.
I then created two new wide pulls out of blackwood. A single pull instead of two in the original drawer front. Also decided on eliminating the upper and lower shoulders of the pulls to be able to have them thinner. This would not take away from the figured fronts as much. This step introduced a level of risk in creating the mortises, since there is no drawer pull shoulder to rely on to hide an imperfect mortise.
After some judicious mortising using chisels and a mallet,, then some paring, the drawer pull mortises were created as seen above. The most critical part of this step is to remove the top-most layer of wood; it is so easy to tearout the surrounding wood if the chisel cuts are not clean. Then it is simply a matter of cutting and paring to the correct depth of the tenon for the drawer pull. Contemporary-styled blackwood pull temporarily inserted below.
So very happy with the outcome and will be completely replacing the doors of the cabinet next. I intend to use veneered figured wood for the doors, similar wood (Ambrosia Maple) as the drawer fronts. I plan to write a detailed article about this in the next issue of WOODSKILLS Magazine
Friday, April 6, 2018
Thursday, April 5, 2018
WOODSKILLS Issue 01 - new magazine
**Updated with new video of print version of magazine.
The idea was hatched a year or so ago but other projects came first. A new magazine catering to the discerning, fine woodworking enthusiast. It was an idea that slowly developed and at one point became a reality. So a small team and I have been working at this since the month of January and we are happy to announce that the latest woodworking and furniture making magazine WOODSKILLS is now available. Some of the features in the magazine are articles on hand tool use and techniques, profiles of accomplished woodworkers and furniture makers, best studio practices, contemporary furniture design, gallery, tool discussions. The terms studio and workshop are used interchangeably throughout the magazine. WOODSKILLS is a semi-annual publication, published twice yearly in the late spring and late fall.
As a follower and practitioner of James Krenov style of work and methodology, both hand tool and some machine techniques are included. Although the vast majority of articles refer to hand tools, machinery is not excluded. I find this to be a more realistic approach in this day and age. Machines can do the grunt work whereas hand tools are used to create joinery, shape and finesse furniture components, smoothing surfaces, etc. Advertising will be at an absolute minimum and consists of curated advertising, a term gleaned from the art world. Advertising must reflect practices and products that our readers and the team at WOODSKILLS could use or include in their own workshops and studios. Available through woodskills.com or Amazon (print version).
Woodworker and Furniture Designer Profiles
Workshop Setups & Best Practices
Hand Tool Techniques
Furniture Design Gallery
Contemporary Furniture Design
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