Sliding Tail Vise

Over time and with increased use of hand tools, I enjoy creating jigs and tools to make the experience a better one. As a left-handed woodworker, I struggle with tools that are primarily designed for right-handed use. Regular bench planes are not an issue as they are symmetric in nature. When it comes to joinery and specialized hand planes however, the handedness is a little more critical. I have adapted for the most part but in some cases prefer a left-handed version of a tool as it feels more natural to me. In summary, I need to work on both sides of a workbench to accommodate either a left-handed or right-handed tool.

To overcome this, I developed this interesting workholding jig that plugs into the tail vise, in my case a twin screw vise, and serves to extend the operation of the vise over the workbench surface. Twin screw vises or end vises when used as tail vises, introduce a large gap between the moving jaw and the workbench surface. Another consequence is that the workpiece is hanging over the end of the workbench, not an ideal orientation for working with hand planes. The sliding tail vise emulates a real tail vise in its operation. Racking is also eliminated when clamping narrow boards through the four point system.

The sliding tail vise transfers clamping to the main workbench top. Inherent in its design ,it attaches through four points. Two fixed points in the outer jaw and two sliding points within slots. I can now quickly clamp a workpiece to the workbench surface through a wide bearing surface and if necessary lock it in place through two knurled bolts.

The sliding tail vise is also designed to be portable. I can easily use it on either side of my workbenches depending on the tool being used ( left or right hand orientation). I have also updated the design to work better with plow planes and the depth adjuster on this type of hand plane. This can be seen in the last image. So what began as a project to allow me to use the twin-screw vise to clamp on either side of a workbench, has turned out to be a really versatile clamping aid for an end vise or twin-screw vise regardless if you are left or right-handed.

Instructions and CAD diagrams are now available on how to create this sliding tail vise along with detailed plans. The plans are specific to Veritas workbenches, but easily adaptable to similar workbenches with either an end vise or twin screw vise. Plan available through www.woodskills.com

WOODSKILLS Issue 01 - new magazine

**Updated with new video of print version of magazine.

WOODSKILLS Issue 01 (intro video)

The idea was hatched a year or so ago but other projects came first. A new magazine catering to the discerning, fine woodworking enthusiast. It was an idea that slowly developed and at one point became a reality. So a small team and I have been working at this since the month of January and we are happy to announce that the latest woodworking and furniture making magazine WOODSKILLS is now available. Some of the features in the magazine are articles on hand tool use and techniques, profiles of accomplished woodworkers and furniture makers, best studio practices, contemporary furniture design, gallery, tool discussions. The terms studio and workshop are used interchangeably throughout the magazine. WOODSKILLS is a semi-annual publication, published twice yearly in the late spring and late fall.

As a follower and practitioner of James Krenov style of work and methodology, both hand tool and some machine techniques are included. Although the vast majority of articles refer to hand tools, machinery is not excluded. I find this to be a more realistic approach in this day and age. Machines can do the grunt work whereas hand tools are used to create joinery, shape and finesse furniture components, smoothing surfaces, etc. Advertising will be at an absolute minimum and consists of curated advertising, a term gleaned from the art world. Advertising must reflect practices and products that our readers and the team at WOODSKILLS could use or include in their own workshops and studios. Available through woodskills.com or Amazon (print version).

 

Woodworker and Furniture Designer Profiles

Workshop Setups & Best Practices

Hand Tool Techniques

Furniture Design Gallery

Contemporary Furniture Design

Woodworking Tool Articles

Amazon (print version)
WOODSKILLS Issue 01 (digital)

Instagram: woodskillsmag

Twitter: WoodSkills
Facebook: WoodSkills
Web Site: www.woodskills.com

Moxon vise build...(Pt. 1)

So I decided to build myself a Moxon vise over the holidays. Business slowed and I had the time to get going on this project. A Moxon vise was something on my mind for quite some time, it was simply a case of finding time to make it. Some time was spent on research to determine which version best suited my work methods. It is essentially a straightforward build, but critical to get it right to ensure the time and material investment is put to good use.

I'm not 100% sure of the origins of the Moxon vise design, but it is widely attributed to Joseph Moxon. Joseph Moxon (8 August 1627 – February 1691), hydrographer to Charles II English printer specialising in mathematical books and maps. Moxon's 17th century book. The Art of Joinery first described the double-screw vise. In this historical publication was documented the Moxon vise - a double-screw held to a workbench top with clamps or holdfasts in order to facilitate certain work.

The main criteria for me was to be able to hold work above the standard height of a workbench. Rather than piece together the hardware for the vise itself, I opted for the Benchcrafted Moxon Vise hardware kit as it includes everything mechanical. I would need to supply the wood and shape the vise jaws (chops). This would be for the basic vise. A more complex version with an additional work table behind the vise would involve several more steps. The overall length of the Moxon vise has yet to be decided on, but will be in the 28 to 32 in. range.

So after deliberating on the design, I simply went at it and worked on the front and rear jaws. Not having 8/4 stock available to me, I opted to laminate some 4/4 maple pieces instead. In the past, I have had success with the strength and stability of 4/4 boards laminated together. In selecting the boards, I mixed the grain orientations up so each of the laminated boards would counter the grain of the other board. This, in my opinion, balances out the internal stresses of the woods and keeps it all straight and stable. Laminating one of the jaws here with 4/4 boards. As they say, one never has enough clamps. In the pic below, this was almost the case, but it worked out. I do have other clamps, but for the most part, they are lighter. To be continued...